Veils of Cirrus is the Melbourne label using artisanal techniques to create wearable narratives
“Everything is very considered, very thought through. Nothing is there out of convenience. Everything is there for a reason.”
Like many Melburnians, university friends Amy Forbes and Caitlin Mullaly started a creative project during the pandemic to help keep each other sane.
With their dreams of moving to Europe to work in fashion put on hold, what began as an idea for an art exhibition eventually evolved into their slow fashion brand, Veils of Cirrus.
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Inspired by poetry and the hands-on nature of their practice, the label prides itself on telling stories through its designs. Below, the duo shares their journey so far in the industry.
Amy and Caitlin: We are Amy and Caitlin, and we did the fashion design honours degree at RMIT [University] together. We graduated in 2019. At the time we were studying and living together… Inherently within both of our work separately,
we’ve always sort of tried to challenge what is fashion and what are garments. Where does art start and stop, and textiles begin and stop? It’s a very conceptual design course, with a lot of critical thinking encouraged, which really informs our design practice.
Both of us found that we were exploring darker kinds of themes throughout uni. Once we finished and were in the pandemic, the world was starting to feel quite gloomy. The bushfires just happened, climate change, everything was starting to feel quite dark and very bleak. A couple of goals for us were learning to disentangle the notion of creativity from stress, which is what we learnt in uni. Because what is creativity if not a positive, creative outlet that’s supposed to actually bring you happiness and joy?
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A and C: Both of us were stood down from our jobs because of COVID. We just needed to do a creative project to keep each other stimulated and practising and not lose our skills. We started off with the idea of wanting to do an exhibition. It was such an amazing project at the Marfa Gallery in Abbotsford. It was a lot of work, over a year’s worth of work and lots and lots of money but it was a really beautiful way of starting it all.
